Each of the joysticks has their own feel as well, one being spring loaded, one being semi-spring loaded, and one being free floating. What you do strangely get with the SL88 are three different joystick-style parameter changers that act as the pitch wheel and modulation wheel. Just like the VPC1, these keys get lighter as you move from the bottom of the keyboard to the top. You don’t get all of the faders, knobs, buttons, or any other fancy features that you do with your standard MIDI controller, though what you do get are graded, wooden, fully-weighted, hammer action keys. While the StudioLogic SL88 is definitely on the more piano-minded side of the spectrum with the Kawai VPC1, it isn’t nearly as expensive. Even at the large size, it is still bus-powered, making it easier to take on the go (besides the fact that it weighs 65lbs). You can also use Akai’s standard MPC swing, MPC Note Repeat, and Arpeggiator, adding to your creative possibilities. These are awesome for adding movement and life to your music, especially if you are making electronic music. It’s a producer’s dream.īeyond the keys and pads, you also get a variety of parameter control options for DAW manipulation, including assignable Q-link knobs, buttons, and faders. Each of these pads gives you access for up to 4 banks and 64 samples in all.
You also get genuine MPC-style pads for making beats, complete with velocity sensitivity, just like the keys. It comes complete with a fully-weighted keybed for that traditional feel and has both hammer action and aftertouch to add a bit of extra flavor to your music.
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If you’re looking for an all-around excellent 88 key MIDI keyboard with all the bells, whistles, parameters, and extra features that you can get, look no further than the Akai Professional MPK88.
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